“Very Dadaesque.” Elliot Moss cried, gesturing with his half-empty wineglass at the thin, nondescript mechanical pen laying upon the floor at the northeasternmost corner of the rectangular, low-ceilinged art gallery.
“Indeed,” Sabrina Vesora agreed, adjusting her scarf, studying the artifact as a crowd of journalists and local social climbers moved by. It was situated such that its nib faced the northern wall, a black sole-scuff-mark moving out in a slender arc from the nib to the right of the device, trailing off to nothingness.
“Highly abstract, yet, even still, the message is deftly inscribed.”
Moss nodded hesitantly, vaguely, uncomprehending, “Yeah,” He set his glass upon a nearby table and knelt, removing his phone and snapping a few shots of the pen, “Its great how imaginative the students have become with their art—shaking off all that stodgy hyperformalism.”
“I know! And look what they’ve come up with when they’re unconstrained—all that they’ve been able to say without speaking a word.”
“I’m not sure I get it,” a old man to Vesora’s immediate right remarked flatly, stroking his beard with his champagne-less left hand.
She cast the man a withering look and gestured to the pen.
“Its pointed towards the wall—to declare that most of our communications are superfluous, doomed to fail, fated to run into obstruction, into a wall. Yet, the scuff mark, moving away from the tip, out towards the center of the room, which compels us to turn our attention away from our own ‘writing’—from ‘the wall’—back to the lives of others, then, true communication is possible, but only if our instruments, and our empathy, move counter to our instincts.”
The old man furrowed his brows and tilted his head to stare at the pen from a different angle.
“Yeah,” piped up Moss, removing himself from the floor, phone photo-filled, “Its a metaphor. Social commentary—but subtle. Doesn’t beat you over the head with the message.”
The old man turned, addressing a finely dressed man with a custom-tailored black coat, tipped at the collar with white fur, “Oh. Hello, Mr. Partridge.”
“Salutations, Mr. Cramm. I was just speaking with Mr. Wakely, he tells me you’re planning something at the docks; but more on that latter—how’ve you been enjoying the gala?”
“Marvelously. As per usual. But I could use your expertise on this piece… not really sure what the artist was going for,” he replied, gesturing with perplexity to the pen by the wall.
Lynder Partridge’s keen eyes moved to the pen and lit up with recognition.
He then strode between the trio, knelt and gingerly plucked the pen up off the floor and examined it in his leather gloved hands.
“You’re ruining the installment,” Vesora exclaimed befuddled, “What are you doing?”
Lynder smiled opaquely, “Returning Mr. Wakely’s pen. He lost it around an hour ago.”
2 thoughts on “Pen & Pedagogy”