The Silence & The Howl (§.26)

§.26 The four conversants sat in the far right corner of the cafe, the mechanical whirring of the fan and the clinking of cups, paper and plastic, and the skidding of heeled-polymer upon the linoleum floor, the only sounds, save the occassional puff of a cigarette or cigar. With a broad smile, La'Far broke the… Continue reading The Silence & The Howl (§.26)

Simple Schema For Fiction Note-Keeping

§.00 I'm very partial to note-keeping and have consequently developed a note-keeping method specifically tailored for fiction. §.01 Consideration in my schema is first given to character(s), since once one has assembled their principal character or characters, the setting and plot can be developed more naturally. Next, principal setting(s), then theme(s) (since once one has… Continue reading Simple Schema For Fiction Note-Keeping

On Dialogic Consistency In Fiction

If, in your fiction writing, you can describe something in but a single word, sentence or paragraph, but choose instead to write in excess of the requisite amount for the task-to-hand, pause to consider precisely why. There are, sometimes, good reasons for writing in excess of the amount for the task-to-hand, but if due consideration… Continue reading On Dialogic Consistency In Fiction

THE SINGULARITY SURVIVAL GUIDE: In the Case of No Hope of Opening a Dialogue

It’s also entirely possible you won’t have any means of achieving direct communication with the AI. This is especially true if you live in a relative non-tech hub such as the no-mans-lands of Arkansas, the wilds of Saskatchewan, or the jungles of the Democratic Republic of the Congo. If this sound like your situation, it… Continue reading THE SINGULARITY SURVIVAL GUIDE: In the Case of No Hope of Opening a Dialogue