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Judgment Of Iron (Sibranth III)
Judgment of Iron (Sibranth III). Composed by Kaiter Enless.
The Ironworks (Sibranth I)
Vitiate
Vitiate—by Kaiter Enless.
Scharlachroter Übertreter
Composed by Kaiter Enless.
Music published to the site may be downloaded by our patrons from our music archive.
Push Or A Shove
Motif.
Composed by Kaiter Enless.
Sibranth Mercruxcious
Motif of Sibranth Mercruxious; from Tomb of the Father.
The Silence & The Howl | Part 18
§.18
The last time he saw her with clouded eyes was in front of Andy’s house. She had come over to return a sewing machine she’d borrowed for a school project. Harmon had only to meet her gaze to know she felt nothing for him. They exchanged no words. He had been waiting for something to change. For her to admit what she had done and apologize. To ask for forgiveness and swear never to betray him. To at least acknowledge the truth of the past.
She did nothing of the kind; pretending as if nothing, whatsoever, had occurred.
Do you take me for a fool, Bluebird?
His gaze hardened behind the silent question. He wished one of them perished before they’d drifted apart; in such a eventuality their love would have been immortalized; forever untainted by duplicity and betrayal.
I never lied to you.
Never betrayed you.
Never cast you aside like so much refuse. Without justification. Without explanation. Without concern.
And yet you have done as much to me. Why should I hold myself apart from your selfsame standard when doing so only puts me at a disadvantage? Why should I act like I am above my impulses? I am no more above such sordid emotions than you. Than anyone.
You were mine. Now you give your heart away as if on a whim. The actions of a vulgar whore.
You are mine and mine alone.
And mine alone you shall remain.
*
The Silence & The Howl | Part 9
§.09
When Harmon finally made his way back to his house the car belonging to the woman was there once more as well as Lyla’s car. Sprawls car was gone. He quickly dashed inside the house and discovered Lyla sitting on his chair in the living room, bent over his desk, his sketchbook open upon it. She looked at the drawing of selfsame visage with pursed lips and wide eyes.
“That was supposed to be a surprise.”
She gasped and dropped the notebook. To Harmon her face born a sign of shame that were as a curse upon her and a faint flame of suspicious there lit up in the corridors of his tired and tumbling mind.
“I’m sorry. I had tried calling but you didn’t answer.”
“Had went for a walk. Forgot to bring my phone,” he replied gesturing to the device where it lay at the corner of the table nearest the wall, not far from the sketchbook.
“So what brings you here, fair lady?”
Lyla rose slowly, hesitating, as if the words had been snatched from her throat. She quickly regained her composure and shrugged, “Dunno. Just wanted to see you.”
“I’m surprised.”
“Why?”
“You know why.”
“I’ve been busy.”
“I understand college is demanding but we never meet up anymore. We rarely even talk.”
“I know. I’m sorry.”
“I don’t want you to be sorry, I just want you to be with me.”
“I’m with you now.”
Harmon moved to stand before the woman. He was two inches taller than her, three with his boots on, and looked down into her large, coffee colored eyes and raised his hand to her face and leaned down towards her, gently caressing her lips with his own. Smooth and warm and delicious. She kissed back, hard and slowly wrapped her slender arms about his neck as heart beats quickened. Harmon slid his hand beneath her shirt and she shivered at the touch and smiled.
“You’re cold.”
“I’m sure you can figure out a way to warm me up.”
*
