‘Smart Cities’ & Architectural Character

Smart city discourse is increasingly prevalent and increasingly influential, thus, a interrogation into the design philosophy undergirding the concept (and its spin-offs) can prove instructive.

IOT For All defines smart cities (also referred to as intelligent cities or digital cities) as “hubs that route IoT-produced data through public-private partnerships to solve real problems.” Put another way, a smart/intelligent/digital city is a urban human settlement that integrates IoT¹ into its pre-existing infrastructure (of roads, streetlights, etc) so as to increase asset stability (security, maintenance) and general efficiency (of energy, traffic movement, etc).

Thus, what principally distinguishes a smart city from a legacy city, is the amount of information acquisition and processing apparatuses it contains.

To say that these new arrangements are ‘smart’ then, is rather like declaring that sticking more eyes onto a fish makes it smarter — its true, insofar as intelligence is reduced to route data acquisition (which is a rather one-dimensional reconfiguration which neglects a number of obvious aspects of intelligence).

What smart cities have in common with every other type of city is their basic design, which means that they have all the same strengths and weaknesses (in relation to the welfare of their inhabitants) of a conventional city with the added trade-off of mismanagement of the new sensor apparatus (spying, data theft, inability to process data, etc) / swifter data processing via the new apparatus (swifter navigation, better energy utilization, de-incentivization of crime, etc).

What smart city discourse neglects is architectural character — the artistic dimensions of dense urban living; the symbols and structures through which collective desire is channeled and expressed from whose extollation communal ties are bound and reinforced. Architectural character is the continuity between the collective desire of the people and their realization and willful externalization of it, such that it forms the loci by which the people may understand themselves as such.

The reformulation of architectural discourse is a rather pressing issue, as the UN estimates that by 2050, 68% of the world’s total population will live in urban areas (their population projections have come under scrutiny by global demographers for being too inflationary, but even if this is the case, the number of future urban dwellers will certainly swell considerably within the century). As of this writing, urban regions possess the majority of the world’s wealth and account for roughly two-thirds of total global power consumption. Reducing energy consumption, bolstering energy production, utilization and distribution and easing congestion are all important goals, but in the pursuit of these goals, designers should not neglect the artistic and communal qualities which elevate and magnify the dreaming populace and, through explication, crystallize their rattling fervor in the melded folds of concrete and steel.


Notes

  • ¹The internet of things (IoT) is shorthand for the expansion of internet connectivity into mundane objects, allowing for the semi-automation of homes and businesses.

Sources

  1. Ann Bosche et al. (2018) To Grow The Internet Of Things, Improve Security. Forbes.
  2. Elizabeth Woyke. (2018) A Smarter Smart City. MIT Technology Review.
  3. Gene Wes Keat. (1910) From Call Building To Oakland City Hall In 5 Minutes. San Francisco Call, Vol. 107, Number 138, April 17.
  4. Guest Writer. (2019) What Makes a Smart City in 2019. IoT For All.
  5. James Brasuell. (2015) The Early History Of The ‘Smart Cities’ Movement — In 1974 Los Angeles. Planetizen.
  6. Mark Vallianatos. (2015) Uncovering the Early History of “Big Data” and the “Smart City” in Los Angeles. Boom California.
  7. Matt Novak. (2011) Zipping From San Francisco To Oakland In 5 Minutes. Smithsonian.

‘Defamation Factory’ Now Available

Defamation Factory: The Sordid History of the ADL by Kaiter Enless (preface by Tomislav Sunic) from Reconquista Press is now available on Amazon. It is the only book which documents the colorful history of the Anti-Defamation League of B’nai B’rith, from its founding in 1913 amidst the furor surrounding the trial of Leo Frank, all the way up to their present campaigns of internet censorship, in detailed chronological order. The book is presently available in paperback format.

Defamation Factory Full Cover
Full jacket cover for Defamation Factory.

Pick up a copy from Amazon or Book Depository.

 

Fording The Liminal Sea

The information fields are vast. Let us go a’harvesting! Raise up your scythes loyal comrades and follow me into the field! A field of dataflows from which we will construct our dreams. Phantasmagorical spaces open up the doors of hitherto unthought possibility, untapped potential. Free-flying we leap from the precipice, heedless of the danger. Careless to consequence. Trifles all. So what if we’ve not wings to slow the fall, the void is endless, surely we’ve time to construct Icarus’ facsimiles upon the way! Oh you may smile. Smile, but smile seriously!

We shall not gently tap upon the chamber walls of those greedy cretins who lock away the treasures we seek behind their cobwebish firewalls, the refuge of the gov-orgs and sovcorps who shuttered away their endless piles of white papers and market analytics, tucked securely down the memory hole like Smaug’s golden coins. No, we shall not tap, we shall kick in their portals and take it by force! Theft? Well naturally, it is just that we do not shirk form stealing from thieves! Who, after all, mourns the death of a cruel murderer?

Pay no mind to the naysayers, those who say of our great and goodly work, “It’s all pointless,” or more ridiculously, “It isn’t even real, none of it matters,” if that were really true they might as well save their labored breath and rabid frenzied slathering and disconnect from the ether. Second life belongs to those who will claim it and those who will claim it will be those who treat it with the seriousness it is so rightly due. So off with their heads! Hack and slash, hack and slash; let’s stomp them into the dirt! The naysayers and all who follow them and all who stand in our way. None shall deter us from the harvesting. Information being the prize of our labor, of our valiant, ceaseless toil. There is nothing so precious, not even love can compete, for it garners its life-blood from the fractal-flow of the liminal sea.

The click and the soothing blue glow that emanate from the sea’s surging depths are the flames of the future, the grid-lines and power-wires, the gates, moats and portcullises of our age. There is a reason that no modern military is without a cyber defense force; even nuclear weapons pale before the power of the web. But a web axiomatically requires a spider to spin it. Oh yes, we see them. We acknowledge them. Their time slipping. Days which we number with delightful expectation; we are as Edmond Dantès, numbering his days of imprisonment with rock-etchings upon our dungeon walls; the spiders, nothing more than Armand Dorleac with all his nihilistic cackling. Keep laughing. The frigid waters await you. Plunged down by our strong and calloused hands, we’ll go a’tumbling into the icy void. When the ripples still there will be nothing but the shifting of liquid before we, alone, emerge, baring forth all your hidden bounty in our arms and gracing the constellation with our gay and pearly smiles. Chateau D’If is ours now and we will not, as might be heroically expected, tear it apart brick by brick in some futile symbolic gesture of evil conquered, what a waste of time that would be! No, instead, we shall turn it into our central terminus, our bio-hub, the cerebral train-station from which we shall build bridges and loops and tunnels across the whole ambit of the world and far far beyond it!

Highways to superhighways, of information, from and underneath and above the raging waters. We shall drain the whole of the ocean dry, down to the deepest trench if needs must. Why, before our ceaseless and unyielding procession of busy-bodied and wrathful treasure hunters even Poseidon shall bend the knee! All hail the new lords of the data mine and the web-land-freed. With sails electric and minds of fire, scythes of steel and wills unbending, we ford the waters of the liminal sea.

Hieroglyphic Ire and Monolithic Representation

The internet’s propensity for time-compression fosters a sense of palpable immediacy. One no longer wants things soon, or, quickly, but now. As such the desire for a suitably curt response is fed into a matrix of intensifying entropy. As information processing capabilities increase so does the corresponding speed at which the information being processed can be transmitted; as the speed of the information being transmitted increases so does the speed of the responses to said information. A brief example of the phenomenon of systemic informational entropy can be seen in generative language fragmentation; one breaks up the lengthy pronunciations and de-syllableizes the words to reach for the core meaning the better to more quickly to communicate. Thus, in place of the affirmational text, “Okay,” one substitutes merely, “k,” precisely because k is more economical and is also understood to be representative of okay, which is itself a colloquial shorthand for “alright,” “very good,” “very fine,” or “that is fine.”

This principal is, perhaps, pushed to its limits by online “meme” pushers. The obnoxious and inherently baleful variety include such examples as the right-libertarian’s Helicopter Pilot For Pinochet rigmarole (a typically half-ironic proclamation of the intent or desire to liquidate communists) as well as the more broadly established right-meme of Communists Aren’t Ppl. Then there is the ubiquitous “reee” image of a crab-man wailing, a encapsulation of “autism.” Then there is the ludicrously absurdist “Flying Spaghetti Monster” (which looks exactly like it sounds) oft employed by progressive atheists in a effort to mock the deity (or deities, depending upon your theological persuasion) of the Abrahamic faiths. Then there is the “tips fedora” gif or jpeg, a image of a fat, ungainly man with messy facial stubble smugly tipping a trilby (which isn’t a fedora but a different type of hat altogether, by the way) which is utilized as a counter-punch by the faithful to rebuke the irreligious or materialistic.

neckbeard
Popular derisionary picture circulated by religious traditionalists, typically of a venomous and baneful variety
FedoraVsTrilby
The “tips fedora” man is actually wearing a tribly – which is similar to saying “tips cowboy hat” when one is actually wearing a bowler.

What all of these popular hieroglyphic representations of ire share in common is their propensity to reduce every single facet of, not just a individual’s, but of a entire coherent group’s attributes to one linear, mono-singular character trait. Therefore when one is posting the “tips fedora” man what one is really doing is saying that the targeted individual is both a member of a particular irreligious group and that he shares a projection of their imagined traits. It, of course, is very rarely a accurate representation, anymore than the Flying Spaghetti Monster accurately represents the views of the faithful.

e7b4083035a3263f5f6377ce7cb6b576--funny-videos-funny-memes
A priest, a rabbi and a imam are greeted by a peculiar surprise at the gates of heaven.

Of course, such memetic derisionary tactics are not meant to actually foster a dialogue they are merely meant to spit venom, merely a digital placeholder for “you’re a fool,” or, “fuck you, idiot.” Therefore a discussion of the hieroglyphics of ire with anyone who is not actually interested in fostering and reciprocating a dialogue is completely pointless because the purveyors thereof have ceased to retain any semblance of individuation and have instead subsumed themselves into a pure machinic process. They are not really the generative force behind such messages (given that popular memes are typically created by but a single individual and are then passed around and around until they fall into obscurity ) but rather only a envoy of another’s message. They are purely mouthpieces carrying around the word’s and ideas of others without any capacity to realize that their “social” signaling – in maximizing speed and recognition – utterly sacrifices any depth or breadth of communication. The response to any naysaying regarding such aforementioned hieroglyphs is always met with “its just a joke” but this is obviously not true, especially in any case where no one is laughing.

There is a pervasive assumption that because the majority of a user-base upon any given platform acts in a certain way (usually absurdly and crudely) that the whole of the purpose of the platform is just that. Therefore if people are curt and strangely sadistic on Twitter, that is the whole of the purpose of the platform. If people are coddling and emotionally fragile on Tumblr then that is the whole purpose of the platform. And so on and so forth. Of course this is absurd, indeed, patently false, and it is false precisely because the individuals who operate and utilize these platforms do not control them. They might declare their rights (and they always have ever so many – an obnoxious cornucopia) but they have no ability at all to enforce these “rights” they are largely at the mercy of the operators who own the monopolistic companies that control the sites (which is precisely why so many individuals are now clangorously raising their voices to declare them public utilities and have them regulated as such). So when someone tells another that X site is just for lulz (which is just a excuse for juvenescent and puerile behavior, a catharsis for mundane repression with which they cannot properly contend) that may well be their aim but it is not necessarily others. It is certainly not mine, as I much prefer conversation to digital, imagistic vomit.

The Sans-Culotte & The Modern Right

Who they were.

“A sans culotte, you rogues? He is someone who always goes about on foot. [He] has not got the millions you would all like to have… [He] has no chateaux, no valets to wait on him… He is useful because he knows how to till a field, to forge iron, to use a saw… and to spill his blood to the last drop for the safety of the Republic… In the evening he goes to the assembly of his Section, not powdered and perfumed and nattily booted, in the hope of being noticed by the female citizens in the galleries, but ready to support sound proposals with all his might, and ready to pulverise those which come from the despised faction of politicians.   Finally, a sans culotte always has his sabre well-sharpened, ready to cut off the ears of all opponents of the Revolution.”

Antoine-François Momoro [epigraph, 1793]


The term sans-culotte (literally meaning, “without britches”) is indelibly tied to the Parisian working class peasants (though, later they were also comprised of middle-class and upper-class Frenchmen) who participated in the French Revolution against the ancien regime, yet its origins – that of a man being caught without his pants in the company of a woman – couldn’t have been less fitting for those who would be remembered through history as the harbingers of a grand battle against the very concept of monarchy itself. The historical after-image of the sans-culotte is a murky one; to some they were the champions of a righteous struggle for social justice and human rights, to others they were bestial malcontents who, spurned by jealousy of their rightful rulers, group-think and low IQ, murdered any and all who stood in their way, innocent and guilty alike. As with most other matters of history, the truth is somewhat more complicated than such stark binaries and thus it behooves us to separate some popular myths from the truth of the matter.

They were not all dirt-poor plebs.

The most popular of the myths about the sans culottes is that they were all wage earning plebs, common workers, the poorest of the poor. Whilst it is undeniably true that many among the sans were working class they were not all dirt poor or of low social standing. According to the historian Gwyn A. Williams, however, the majority of the leaders of the sans culoettes were artisans and shopkeepers, that is to say, middle-class.

They were not all socialist agitators.

Nor where these wild revolutionaries anti-capitalist as some might assume from their ideals about equality, human rights and so on which mirrors many progressive democratic socialists today. Rather the culottes where definitively pro private property and had absolutely no qualm with capitalism provided that the total riches of the country were not almost exclusively held within the hands of a selected and privileged few. They were by and large hard workers who were tired of being left with little to nothing by the ineffective and lackadaisical regime of King Louis Capet (who, though kindly and well-meaning – he made numerous conceits to the Enlightenment such as the abolishment of serfdom – was nevertheless a deplorable statesman). The fight of the sans culottes was, primarily, with class privilege, not wealth itself (that is, when they were not merely driven to frenzy by a convincing speaker. Furthermore, it needs be said, the sans culottes were never one uniform block, proactively ordered, rather they were almost purely reactive, organizing for brief periods of time and then melding back uniformly into the social fabric until the next political insurrection called.

Conclusion.

There is a great deal off cross-over between numerous liberal political factions and the britches devoid warriors (they wore plain trousers, they were not actually pant-less), all of them leftist progressives. Antifa mirrors the sans culottes in many ways, chiefly in their overarching aims of overthrowing a ossified social order (white supremacy/patriarchy for the Marxist socialites, the Ancien Regime for the french workers) in a attempt to create a more just and egalitarian society. Yet the Antifa, in comparison to the warriors of the French Revolution, are nothing. Though many have called Antifa a terrorist organization their violence pales in comparison to those who stormed the Bastille and massacred all therein, then dismembering the bodies of the fallen and hoisting them upon pikes and bayonets with cheers of greatest adulation. Nor are progressive agitators like Antifa fundamentally attempting to change the prevailing power structure, they are instead merely attempting to extend its influence and reach. It is for this reason that, counter-intuitive as it seems, the modern day dissident rightist shares more in common with the French Revolutionary than does the globalist – for the sans culottes were trying to bring about a totally new order whereas the French royalists were attempting to preserve the prevailing one. The sans culottes and their directors, Marat, Danton, Robespierre, did not wish to see France destroyed but rather transformed, reinvigorated and improved.

Whilst one might quibble with tactics their directionality of purpose, in essence, was the same as what the modern right’s should be today.

Glorious transformation.

Logos Anthology: Free e-book

The Logos Club proudly presents a collection of some of our finest choice writing featuring: Kaiter Enless, Cygnus-X, Gio Pennacchietti & Joel Hyduke. Re-distributing or altering the contents of this anthology will result in immediate manly challenge and a subsequent duel at ten paces.

Click the link below to receive the book and many thanks for your kindly patronage.

Official Logos Club Anthology, Part One

 

Sex, Violence, Death, Toil: A Brief Primer On Fiction Writing, Prt. 1

I like what I do. Some writers have said in print that they hated writing and it was just a chore and a burden. I certainly don’t feel that way about it. Sometimes it’s difficult. You know, you always have this image of the perfect thing which you can never achieve, but which you never stop trying to achieve. But I think … that’s your signpost and your guide. You’ll never get there, but without it you won’t get anywhere.

– Cormac McCarthy, Jun. 1, 2008

Fiction writing is often perceived, and subsequently spoken of, as if it were some magical art, some eldritch and impenetrable ability of numinous convocation which arrives and departs from the conscious mind like a furious blast of ball-lightening (which, interestingly enough, are theorized to be responsible for the numerous cases of real spontaneous combustion throughout history). Whilst reaching towards (and ultimately grasping) the numinous should be the end goal of all of the higher forms of fiction, it is a mistake to view the craft as solely the providence of arcane geniuses, as a venture which can only be undertook at the precise moment of inspiration.

Inspiration is all fine and dandy but it is wholly insufficient in and of itself to create a substantial work of art. A work of fiction which is nothing but inspirationally driven is one which is wholly impulsively driven; it is much the same as a grand and beautifully crafted ship without its rudder! It might well inspire a kind of awe but it won’t be able to move an inch and will invariably capsize in the coming storm, lost to all and every man beneath the thunderous swell of bio-hum. There is also the problem of time in relation to a work of fiction; whilst it is never wise to make haste when writing a novel or short story for the sake of speed itself there must also be reasonable timetables set forth for the writer if he or she is ever to finish the project upon which they are so arduously plying their talents. It is a highly romanticized conception of the writer as a powerfully minded yet tragically underappreciated soul which ultimately leads to nothing but stagnation. If you aren’t a genius or a consistent partaker in Ginsbergesque ritualism then it is highly unlikely that bold and evocative inspiration sufficient to carry the entirety of setting, plot, characters and theme will oft strike; this is, in no wise, a bad thing!

Contrary to the romanticized American conception of the fiction writer, he treats his work in much the same fashion as might a lumberjack or gas station clerk. He gets up early, takes notes, watches his time, writers consistently (preferably daily) and passionately and has a distinct objective in mind whilst he is doing so. That is, if he wishes to be a successful writer in the total sense of the term, meaning, successful both financially and, far more importantly, artistically. It is here I would offer some mild advice to those amongst you who aspire to write fiction in any wise (hopefully without being too boorish in so doing).

  • Purchase or borrow a note book or journal (I much prefer leather-bound journals for their superior aesthetic appeal and durability) and take notes whilst you are away from your computer (unless, that is, you still do the work on a typewriter!). This helps not only flesh out already established ideas, but also preserves new ideas that might otherwise perish in the bottomless marsh of forgetfulness
  • Don’t read whilst you write. Meaning: do not take up another work of fiction whilst you are engaging in your own work. The reason for this is simple; originality. Whilst one should most certainly shun originality for its own sake there is a tendency for the “voice” and style of more powerful and skilled writers to overtake the minds (and thus the page) of those, less versed in the craft. It is extremely important for the avid writer to read and read widely and deeply, but not at the same time he plies his trade as this threatens the authenticity of the piece.
  • Concentrate upon the theme of the story before everything else. A story, no matter how exciting the action, plot or characters will ultimately be nothing more than a mere confection of the intellect without philosophical grounding; without ideas which one wishes to build upon, expound, communicate and spread.
  • Don’t overly fret over grammar and instead focus on authenticity within the framework of the world which you are creating. That is to say, if you are writing a sentence and find it pleasing and perfectly suited to describing some situation crucial to the plot then do not there deviate to grammatical puritanism. After all, any true blunders you do make will be fixed by the editor upon the completion of the manuscript.
  • Most importantly, actually practice writing. Set a schedule and stick to it. The simplest, but hardest of “skills” for a writer to master (I include myself in this criticism!)

Now that we have that out of the way we shall turn our attention to the actual structure of a story and what it is that makes certain stories standout, that is, what makes them good. To speak not at all about any particular theme, a truly great work of art will always deal with three things: sex, violence and death. It is my opinion that any work of art which deals not at all with this omnipresent trio of human universals is not worthy of one’s time or, indeed, of really being called a work of art at all.

[to be continued in prt.2]

Fractal America, Kodokushi-6771, Prt.1

One of the most fundamental characteristics of the embedded American consciousness, is its rugged individualism, that is, the sovereign and heroic impulse to carve ones own path, to strike out on one’s own into the unknown darkness to there light a fire. Such is to be expected from a nation of wilderness conquering colonists, but sovereign individuality is, as many have rightly noted, a double edged blade which has contributed in no small part (though not in totality) to the scourge of societal atomization that now lies like a dunning pall over the star spangled banner. For most who speak of societal and political atomization, it is a apriori truth evidenced by lived experience, argued via anecdotal accounts of the particular social fabric (or lack thereof) of one’s known area. There are a lot of problems with these personal and locale-specific deductions; first and foremost, the alienated make-up of a particular town or city or even state does not necessarily hold true for any other states or towns within the (considerably expansive terrain) of the United States of America (though the title’s accuracy of late seems somewhat misplaced).

Anecdotes are useful, indeed, indispensable, but anecdotes alone lack scale and thus here it is extremely useful to turn to a more wide scale methodology – the opinion poll. One opinion, one tale or anecdote alone, even if from a trusted source, is unlikely to turn widespread popular opinion but if one sees that widespread popular opinion itself has turned against their conceptions then such conceptions begin readily falling to pieces. Societal atomization is, like most widespread social conundrums, largely, objectively traceable as is evidenced by the continuous results of the annual Harris Poll which finds that political alienation amongst Americans, nationwide, is at an all time high. The survey showed that US adults from the ages of 18 and up believe thus:

  • 82% of Americans do not believe that the people running the country care about them.
  • 78% of Americans believe that the wealth/class gap is growing and that this is bad.
  • 70% of Americans think that the majority of people in power are taking advantage of the poor/lower-class.
  • 68% of Americans believe that their voice doesn’t matter, politically speaking.
  • 40% of Americans feel as if they are “left out” of the major goings-on around them.
  • When broken up by political party, Republicans feel the most alienated, with Independents second-most alienated and Democrats, third. Individuals who obtained a college degree ranked less isolated than those with only high-school or college education, but no degrees (likely resulting from the increased social avenues afforded by good degrees).

When taken in tandem with the studies of the highly lauded and prize winning economists, Angus Deaton and Anne Case – whose worked showed the staggering amount of ever-rising American suicide, which they tied largely to both economic, social and political alienation – the collective data paints a profoundly grim picture of contemporary American life. A picture of disheveled living spaces polluted with the toxins of fast food and click-bait circle-jerking scream-sheets heralding unimaginable horrors, bottom of the barrel alcohol and mindless Hollywood entertainment surreptitiously pushing innumerable agendas which or orbitally drank in and processed without cognizance. A picture of the young moving out of the house to never speak to their parents again, or staying there and still not much talking. A picture of midlife crisis of gang violence and increasing political fragmentation along tribal lines. A picture of increasingly disenfranchised individuals, both young and old; the old, longing for a golden age that they envision incorrectly as the merry, halcyon days of their youth, whilst the young, looking for a tribe and a cause, are ceaselessly bombarded with the notion that the only cause is the eradication of cause and destruction of tribe and the ceaseless tremelling down of all variation. It is a picture of fear and trembling and, most pointedly, despair.

From the pre-abstract statement of Deaton and Case’s study:

Midlife increases in suicides and drug poisonings have been previously noted. However, that these upward trends were persistent and large enough to drive up all-cause midlife mortality has, to our knowledge, been overlooked. If the white mortality rate for ages 45−54 had held at their 1998 value, 96,000 deaths would have been avoided from 1999–2013, 7,000 in 2013 alone. If it had continued to decline at its previous (1979‒1998) rate, half a million deaths would have been avoided in the period 1999‒2013, comparable to lives lost in the US AIDS epidemic through mid-2015. Concurrent declines in self-reported health, mental health, and ability to work, increased reports of pain, and deteriorating measures of liver function all point to increasing midlife distress.

These are, of course, but paltry samples of the total academic corpus concerning this dire and fascinating question, but they show, quite convincingly, how well and reliably these questions’s roots can be traced objectively. Of course, discerning and convincing the American populace of this is but half the battle, the other half, the reformation of a healthy and unified social modality which does not lend itself to ever-increasing rates of suicide, depression and destruction of local customs and history and the bonds formed therefrom, is significantly harder. But there is one profoundly important first step: parallel institutions and a parallel culture(s). For it was, in large part, the institutions of political power (and thus the social groups who put them there), the NGOs and “our” government that are to blame for the current crisis and thus the idea of remaining complacent at their perpetuation is tantamount to insanity. No. They are rotten and when a plant is rotten to the core there is nothing to do but tear it up by the roots!

But parallel cultures and institutions require, axiomatically a very rare commodity – the parallel individual. The et ferro.


Sources:

Harris Poll: Americans’ Sense of Alienation Remains at Record High

Rising Morbidity & Morality in Midlife Among White, non-Hispanic Americans in the 21st Century.

Nautilus: Alienation Is Killing Americans and Japanese

Jisho

Logos Circular 5/19/2017

The Logos Club here presents a brief list of links to some of this weeks most enlightening, amusing and incisive pieces of writing from all across the web.

First up is

How To Make It As A Left-Wing Polemicist

which comes to us from the talented Hubert Collins of Social Matter. The piece is a ironic, caustic how-to list of dos and don’ts for how to become successful as a communist in contemporary Wiemerica. Mr. Collins amusingly notes,

E. Don’t stake out a firm position on immigration policy. While conservatives who oppose immigration are racists, identitarians who favor open borders don’t understand how that depresses wages. Never note both of these things at once–do so separately to hide your uncertainty about what to do about it.

Though one criticism we had of the piece was that he also writes,

F. Do be opaque. Use lots of jargon and obscure references to ensure newcomers won’t be able to just dive in. Throw around lots of words and phrases from grad school like: hegemony, false consciousness, late capitalism, conjuncture, etc.

NRx does precisely this (with good reason) and I’ve not heard much of an outcry about it. Though we here at the Logos are not mind-readers one might perhaps venture to guess that his point of contention was due to the fact that the socialist/post-modernist critic of the left has no precise demographic in mind whilst building his eldritch lexicon and merely does so for affectation and spectacle rather than effective communication.

At any rate it is a highly recommended piece and one that incisively dismantles much of the anti-dem Leftist project.

Next up is

A Quick History of the Russia Conspiracy Hysteria

from the insightful individuals over at EvolutionistX which chronologically details some of the origins of the resurgence of McCarthyite, Russian paranoia within the United States. Brief, but insightful, especially to those who may not follow politics with any regularity. Anon notes,

Russia is bad because they oppose US efforts to install Islamic fundamentalist governments in the Middle East, because they oppose gay marriage, and because taking Crimea is basically the same as Hitler’s invasion of Poland.

Russia is full of hackers. Assange is a Russian agent since he publishes information leaked from the US. Trump is a Russian agent since he opposes war with Russia.

Well… that’s neocon reasoning for you.

STEEL-cameralism v Steel anarchism.

Last up is easily the strangest but most unique entry in the list, Steel-Carmelism vs. Steel-anachism from Imperial Energy, a very interesting site dedicated to historically rigorous political theory (namely, Steel-carmelism). As one might assume from the title, the monograph deals primarily with the similarities and differences between Steel-carmelism and Steel-anarchism to determine which holds more future promise. Sites such as IE are exceptionally valuable as they offer a positive vision rather than merely negative critique (invaluable though it is) like the vast bulk of dissident/reactionary political/philosophical websites one is likely to encounter. Here IE critiques neoreactionary statecraft whilst simultaneously remarking upon the division of powers.

Divided power results in a weak, insecure, central power. This power will, nevertheless, immediately begin to centralise and consolidate its power by subverting, destroying and or absorbing all the other centres of power which prevent it from carrying out its four “feeding” functions. The paradoxical conclusion that neoreactionaries posit, however, is to remove as many barriers as possible for the state to achieve its functions – to have its “feed.”

For its sprawling incisiveness, Logos acknowledges Steel-carmelism vs. Steel-anarchism as its most highly recommended of the week.