Two excerpts from forthcoming ambient track, ‘Court of the Centipede’

Two new, short promos are now available from my forthcoming, ambient track, ‘Court of the Centipede.’

The first excerpt (0:30) was recorded before mixing, and can be listened to here; the second clip (0:35), recorded after mixing, can be found here.

‘Gilding Dark’ (orchestral track) rearranged and rereleased

Gilding Dark (an ambient orchestral piece) has been judiciously rearranged and rereleased, and is now available on Bandcamp. Over a week’s worth of work, condensed into two minutes and five seconds of alternatively sonorous and discordant tonality.

Fiction Circular 8/1/20

A weekly dissemination of fiction writing from around the web by Kaiter Enless.


From Caliath: Notes on the Creative Corpse by Joao-Maria (a poem concerning the creative process).

To dispetal the cosmos and the cosmos, place those steatic specs upon the unreeling…

J.M., Notes on the Creative Corpse

From Cyberwave: Coloring For Karen (a scifi short story).

With a wave of his hand the boy produced magnificent shapes and formed islands out of the empty ocean while standing on the cliff. His eyes were closed but he knew he didn’t need them. He used his imagination without bounds, and without the influence of external stimuli.

– Cyberwave, Coloring For Karen

From Jan Christensen: Sad Victory (a mystery short story).

“Of course I’m okay.” Her mouth twisted around the slang word disagreeably.

– J. Christensen, Sad Victory

From Horror Tree: Pale Horse by Lynn Love (a tale concerning a man who may or may not be crazy hears a voice that may or may not be there).

‘That ain’t no wind,’ he says. ‘There’s a voice. Can’t you hear it?’

– L. Love, Pale Horse

From The Chronicles of History: Beyond The Trees by Samantha James (a short story of the fantastique).

A young orphaned girl flees her home one afternoon and finds herself lost in a big scary forest. The child becomes injured but is assisted by an unlikely companion that claims to know the way to the girl’s home at the abbey. Not all is as it seems …

– S. James, synopsis

Fiction Circular 7/18/20

A weekly dissemination of fiction writing from around the web.


From Bill Chance: The Sorcerer’s Intern. A spoof of Goethe’s The Sorcerer’s Apprentice.

“I left some fishing weights on the table, could you turn them into gold, please. I’m a little short with the grocery money this weekend.”

B. Chance, The Sorcerer’s Intern

From Boondock Ramblings: The Farmer’s Daughter (Chapter 1; A Serialized Novel) by Lisa R. Howeler.

She’d been used to one annoying older brother her entire life, but five years ago Jason had invited his college roommate Alex to come work on the family farm and now it was like she had two annoying older brothers

L. R. Howeler, The Farmer’s Daughter

From Close 2 The Bone: Billy’s Grave by Lisa Short. Two young women discover criminals desecrating their late brother’s tombstone and decide to defend their land.

They had kicked over Billy’s gravestone; Faith could tell when Kayla spotted it lying all askew by the stiffening of her shoulders. They might not have known they were even on a gravesite—she and Kayla had buried Billy themselves, and the only marker they’d been able to place had been a river-worn slab of rock

L. Short, Billy’s Grave

From Literally Story: Crimson Coloured Raindrops by David Darvasi. A curious, charming tale of mysterious entities venturing below a dreamlike-city of steam and fume. Best of the week.

he started cutting the darkness – quite literally. Not for any romantic reason, other than he wouldn’t do anything metaphorically. 

D. Darvasi, Crimson Coloured Raindrops

From Literary Yard: The Last Time Rublev Saw The Sea by Tom Z. Spencer. Strongly influenced by recent events, Spencer’s story follows a young man navigating the fallout of the coronavirus pandemic.

We were told it can’t transmit human to human, and then that masks don’t work, and then to wear masks, and eventually to go home, and lock the door.

T. Z. Spencer, The Last Time Rublev Saw The Sea

From Momus News: Critical Equipment by E.A. Wicklund (EagleAye). A short, humorous piece.

“At last! The very thing I need to combat this pandemic,” said Blumquist.

E. Wicklund, Critical Equipment

From Neel Writes: Memories Unspooled by Neel A. Panicker. A charming flash fiction.

“You children are so unlucky for unlike us you hear your music strapped on headphones, and watch your favourite film and music stars gyrate on your palm tops”

N. Panicker, Memories Unspooled

From Nicholas C. Rossis: Common Fiction Writing Mistakes. The advice is basic, but can prove useful to new fiction writers (for more experienced writer’s, I would recommend the T. Bailey Saunders’ translation of Arthur Schopenhauer’s The Art of Literature).

It doesn’t matter how well-constructed your world is if you’re incapable of dishing it out in smaller portions that are relevant to what’s happening in that particular sequence. If there’s a city that’s important to the story, give the reader the necessary info when the characters actually go there, instead of dumping 500 years of detailed history and politics from three different provinces in a prologue.

N.C. Rossis, on info dumps in fiction

From Curiomancy: Samizdat by Rick Wayne. A excerpt from the author’s scifi novel Zero Signal.

the human cognitive capacity was more or less fixed, artificial minds could adjust their filters on the fly. A wider net meant slower thinking, and vice versa, but they could scale their attention to their needs.

R. Wayne, Samizdat

Compiled by Kaiter Enless.