Short Glossary Of Musical Terminology

Given the amount of music which has been published on this site of late, I thought it prudent to briefly list and explain some common muscial terms.


12″ – twelve-inch single (a type of gramophone record).

adagio – a down-tempo passage / a comparatively slow piece (60-80 bpm).

allegro – a up-tempo passage / a comparatively fast piece (120-168 bpm).

arr. (arrangement) – denotes that a track has more than one variation (ie. as of this writing, the track ‘Legerdemain’ has two variations: a piano arr. and a chamber arr.).

chamber – like a classical chamber piece (similar to an orchestral piece, but with fewer instruments).

fugue – a piece that, in its main structure, repeats a theme or themes with variation.

leitmotif – a short motif (theme).

orchestral – like a live or simulated orchestra (similar to ‘chamber’ but with more instruments).

presto – a very fast passage (168-200 bpm).

remaster[ed] – a track that has been subjected to a complete sound-quality modification.

toccata – (from toccare, “to touch”) a piece for keyboard (organ, harpsichord or piano) characterized by intricate variation, swift runs, high harmonies and speed.


All music published to the site is available for download via the Logos Patreon Music Archive.

 

 

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Music Downloads Now Available For Logos Patrons

A regularly updated archive of Logos-published music is presently under development on the Logos Patreon. All tracks in the directory will be available for download in wav file format¹ (ordered by date) for Logos patrons, exclusively; regardless of the tier of patron support.

Meaning that all directory tracks will be able to be downloaded and put on your playlist, whether you’re a $1 supporter or a 100$ supporter.

Tracks listed in the Music Directory but not yet linked indicate those forthcoming to the archive. OSTs will be listed separately (also by date). After all tracks previously published to Logos are archived for download via Patreon, the directory will be regularly updated with all newly produced tracks and albums.

Blood For Butterflies—the first track available for download—can be found here.


¹ File-type inclusion requests (for those who cannot, or do not wish to, play wavs) can be made by contacting the site administrator.

The Singularity Survival Guide, by Peter Clarke, Now Available in Paperback & Kindle

Peter Clarke’s latest novella, The Singularity Survival Guide, is now available in paperback from Logos Literature.

The book has received a warm reception thus far; author, entrepreneur and political activist, Zoltan Istvan said of the work, “The technological singularity has officially been treated to a full-scale parody, and it’s even more comical and irreverent than it sounds.”

Final SSG
Cover art by Mark Dwyer, illustrations by Jack Roberts.

You can find the book online here and follow the author online here.

Fiction Circular 9/7/18

We’re always open to ideas on sites to cover for future installments, so if you know a good writer or collective, let us know via logosliterature@yandex.com


FLASH FICTION

Ramya Tantry of the whimsical writing site, And Miles Before I Go To Sleep… published The Mist, a surreal micro-fiction about (as you might have guessed) a peculiar mist and (as you probably didn’t guess) a lucky garden gnome.

Run, the mist is descending.. Run for your life“, cried Stu.

The poisonous mist was settling on his skin causing blisters. He was in tremendous pain and was in desperate need of water to wash the mist away. But he was unable to move. Poor visibility due to mist was creating hindrance in searching others.

He cried for help. He called for his friends. But no help arrived. As the mist started to clear he could see the bodies of his friends. He saw some of his friends on the other side of the fence crying their heart out.

I bring good luck. I am a good luck charm. I am the protector. Why I am being killed?“, Stu – the Garden Gnome wondered.

Certainly a evocative beginning to a tale, the only question: what happens next? Did Stu survive his ordeal? What is the mist and how did it become poisonous? Where did it come from? Perhaps we shall find out in another installment.

Curiously, The persistently consistent Dark Netizen also published a flash fiction entitled The Mist (presumably both he and Ms. Tantry were inspired by the same writing prompt). His story differs from Ms. Tantry’s in that there are no gnomes, but rather, considerably more giant spiders. Really not sure which situation is preferable…

Newcomer Avani Singh of the horror fiction site Blogggedit published a horror story memorably titled Weirdo Elevator. The story of the strange elevator and the terrifying smile continues in Why? Why Don’t You Leave Me? and is further elaborated upon in part 3, NOW YOU SEE ME! One thing I quite enjoyed about blogggedit’s posts is the usage of disquieting photography throughout, that both fit and intensified the narrative. We’ll be covering the rest of the series once we finish reading it and are definitely interested to see her work develop and progress.


SHORT STORIES

Worth reading from Jellyfish Review, When God Closes A Door by Kathryn Kulpa.

“I could picture the droop of his thinning hair, his hangdog eyes, as he realized the terrible sort of person I was. Like that song that says you always hurt the ones you love, but that wasn’t me. I hurt people I kind of liked-“

Nell begins the first chapter of a series titled The Angelic Conversation. A tale of convening with celestial beings.

angelic-alphabet1.jpg

“The social media app, which had in recent times, become her refuge. Another world she could escape to and be someone else – or perhaps just another version of herself, which was usually carefully concealed in her day job as an archivist.”

A tale of the freedom inherent to anonymity; no nagging questions from friends and co-workers; but are such relationships built as a stage or are they a potential alternative avenue of human connectivity, as real and genuine as talking to John upon the street? And who is this John anyway? I suppose we shall find out in her next installment.

We got around to reading more from OddMadLand’s back-catalog and delved into Ardency and Hysteria, the peculiar tale of a poet, Ren, who, believing himself a bird jumps to his “death” and, under perpetual transformation and internal turmoil, contemplates becoming his own planet and what life upon himself would entail.

“It was reported that the photographer and poet ended his life at the age of twenty-nine, but what they did not know is that he never hit the ground after jumping to his death. Instead the sky fell, and as it went down he went up.”

Like all of the stories at OddMadLand, Ardency and Hysteria is stylish, experimental and dense with symbolism. Highly recommended.

Terror House Mag’s Working The Night Shift by Daniel Bretton has a good premise – a depressed, wayward hall monitor seeing something or someone late at night, or at least he thinks did; this realization then causing total life-reassessment. Life, he realizes, is stranger than fiction, or something (it isn’t really laid out very well how this event changed his perspective, though the set up is well-done). However, this interesting premise is undercut by clunky prose which almost always tells rather than shows. Additionally, the story raises a few philosophical questions (the author snipes at dogmatic materialism (qua Dawkins et al.) and states – rightly – that what is true is not constrained by dogma, personal or collective; “if something is real it can take the pressure [of investigation]”) but doesn’t follow through with this idea, which makes the story feel, unfortunately, rather half-finished.

“In the modern day, the scientific and educational establishments have turned to a dogmatic materialism. No deviation from this premise is tolerated, with researchers and scientists putting their careers at risk by pursuing wider areas of research. Yet, to paraphrase a figure Burke otherwise has little use for; “if something is real it can take the pressure.” The strange, extraordinary, and yes, spiritual aspects of the universe do not simply cease to exist because post-enlightenment men choose to ignore them.”

Also from Terror House Mag, My Shinning Boy by Patty Fischer.

John Siney, whose work we’ve covered previously (The Ghost Of A Flea), has released an extract of his 2016 novel, A Portrait Of The Artist As A Young Woman. All I can say thus far is that it is splendidly written, amusing and hold’s too high an opinion of Pollock (who was dreadful).


NOVELLAS & NOVELS

Nothing to report; still working through The White Lioness (Kurt Wallander #3) by Henning Mankell.


NOTABLE NON-FICTION WORKS

Lastly, though not a prose fiction work, Disappearance and Assembly – Extract by David J. Roden is well worth a read.

“-only the speaker, the human, has any place on the stage-“


Thanks for reading!

If you wish to support our work and help promote independent fiction authors, you may do so here. If not, you’re welcome, its free.

Fiction Circular 8/31/18

FLASH FICTION

First up, Nell of The Library of Nell published a sequence of erotic microfictions entitled The Book of the Woodsman as well as the surreal, The Book of Morpheus. Decidedly evocative. Very interested to see her future works.

“We raised our faces at octagon windows of colour, through mirrors, upending to infinity.” — Book of Morpheus, Ely

The persistently consistent Dark Netizen published the mircofic, Buster about a dog figurine that is more than it seems.

Curious Forgotten Lore has published a plethora of fascinating little fictional tidbits, most notably: a continuation of his mythos of Clod, The God Of Clowns. Perchance, in time, he’ll be the new Slenderman; if that is to be the case I just hope SONY doesn’t try and make a movie out of it…


SHORT STORIES

Lucas Barstow has published Deep Vein Trombonist, which begins alluringly, “Deep underground where sunlight can’t be seen, the ore veins glisten in the light of a candle half burned out, dripping wax onto the floor.” Whilst the opening line is intensely atmosphere and the story is interesting, Mr. Barstow often violates the show-don’t-tell edict, describing in a rather flat and matter-of-fact way what is going on and why instead of painting a picture of the actual events in motion; but my, what an ending! Highly recommended.

Also read The Stain from the The Story Hive.

“I petted the fabric, fingers tracing the sewed areas, for the hundredths time, maybe for the hundred-thousandths time by now…

It had been vibrant and colorful, with the reds and blues and yellows thoughtfully arranged on twenty to thirty-five inches. Baby animals playing under the stars and the moon. Pink hearts lined beneath those little paws. My fingertips knew all the stitches.”

Sad, taunt, eerie and moving. Highly recommended reading and the best of the week.

Also from The Story Hive, The Greater Good Protocol.

Terror House Mag published Soul Box by James McHell, a supernatural drama concerning a man whose spirit has affixed itself inside his wife’s TV. Also from Terror House, Sugar-Plum Fearless by Soren James, a sad, creepy tale about a sad creepy man.

Jellyfish Review published Smolder by Hannah Harlow, which was quite good.


NOVELLAS & NOVELS

Little to report other than that I found a old Henning Mankell thriller in a shoebox. Was titled The White Tigress (Kurt Wallander Series #3). Reading through, very good book thus far.


Tune in next time for more.

If you wish to support our work in publishing great prose and supporting up and coming authors you may do so here.

The Opposition Identity of the Anti-Tribe [Broadcast]

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Audio reading of the the article, The Opposition Identity of the Anti-Tribe (Click on the highlighted section of the article title to read the article in its entirety).

The reader did not wish for her identity to be publicized.

Sex, Violence, Death, Toil: A Brief Primer On Fiction Writing, Prt. 1

I like what I do. Some writers have said in print that they hated writing and it was just a chore and a burden. I certainly don’t feel that way about it. Sometimes it’s difficult. You know, you always have this image of the perfect thing which you can never achieve, but which you never stop trying to achieve. But I think … that’s your signpost and your guide. You’ll never get there, but without it you won’t get anywhere.

– Cormac McCarthy, Jun. 1, 2008

Fiction writing is often perceived, and subsequently spoken of, as if it were some magical art, some eldritch and impenetrable ability of numinous convocation which arrives and departs from the conscious mind like a furious blast of ball-lightening (which, interestingly enough, are theorized to be responsible for the numerous cases of real spontaneous combustion throughout history). Whilst reaching towards (and ultimately grasping) the numinous should be the end goal of all of the higher forms of fiction, it is a mistake to view the craft as solely the providence of arcane geniuses, as a venture which can only be undertook at the precise moment of inspiration.

Inspiration is all fine and dandy but it is wholly insufficient in and of itself to create a substantial work of art. A work of fiction which is nothing but inspirationally driven is one which is wholly impulsively driven; it is much the same as a grand and beautifully crafted ship without its rudder! It might well inspire a kind of awe but it won’t be able to move an inch and will invariably capsize in the coming storm, lost to all and every man beneath the thunderous swell of bio-hum. There is also the problem of time in relation to a work of fiction; whilst it is never wise to make haste when writing a novel or short story for the sake of speed itself there must also be reasonable timetables set forth for the writer if he or she is ever to finish the project upon which they are so arduously plying their talents. It is a highly romanticized conception of the writer as a powerfully minded yet tragically underappreciated soul which ultimately leads to nothing but stagnation. If you aren’t a genius or a consistent partaker in Ginsbergesque ritualism then it is highly unlikely that bold and evocative inspiration sufficient to carry the entirety of setting, plot, characters and theme will oft strike; this is, in no wise, a bad thing!

Contrary to the romanticized American conception of the fiction writer, he treats his work in much the same fashion as might a lumberjack or gas station clerk. He gets up early, takes notes, watches his time, writers consistently (preferably daily) and passionately and has a distinct objective in mind whilst he is doing so. That is, if he wishes to be a successful writer in the total sense of the term, meaning, successful both financially and, far more importantly, artistically. It is here I would offer some mild advice to those amongst you who aspire to write fiction in any wise (hopefully without being too boorish in so doing).

  • Purchase or borrow a note book or journal (I much prefer leather-bound journals for their superior aesthetic appeal and durability) and take notes whilst you are away from your computer (unless, that is, you still do the work on a typewriter!). This helps not only flesh out already established ideas, but also preserves new ideas that might otherwise perish in the bottomless marsh of forgetfulness
  • Don’t read whilst you write. Meaning: do not take up another work of fiction whilst you are engaging in your own work. The reason for this is simple; originality. Whilst one should most certainly shun originality for its own sake there is a tendency for the “voice” and style of more powerful and skilled writers to overtake the minds (and thus the page) of those, less versed in the craft. It is extremely important for the avid writer to read and read widely and deeply, but not at the same time he plies his trade as this threatens the authenticity of the piece.
  • Concentrate upon the theme of the story before everything else. A story, no matter how exciting the action, plot or characters will ultimately be nothing more than a mere confection of the intellect without philosophical grounding; without ideas which one wishes to build upon, expound, communicate and spread.
  • Don’t overly fret over grammar and instead focus on authenticity within the framework of the world which you are creating. That is to say, if you are writing a sentence and find it pleasing and perfectly suited to describing some situation crucial to the plot then do not there deviate to grammatical puritanism. After all, any true blunders you do make will be fixed by the editor upon the completion of the manuscript.
  • Most importantly, actually practice writing. Set a schedule and stick to it. The simplest, but hardest of “skills” for a writer to master (I include myself in this criticism!)

Now that we have that out of the way we shall turn our attention to the actual structure of a story and what it is that makes certain stories standout, that is, what makes them good. To speak not at all about any particular theme, a truly great work of art will always deal with three things: sex, violence and death. It is my opinion that any work of art which deals not at all with this omnipresent trio of human universals is not worthy of one’s time or, indeed, of really being called a work of art at all.

[to be continued in prt.2]